"What I wanted to do was to paint sunlight on the side of a house."
One of my favourite painters, he's got a impeccable eye for shadows, light and darkness. Some of his painting are even named simply after a place and a specific time of day, "afternoon" "evening", "sunday morning", "7PM" etc. and he seems to effortlessly capture the magic in these fleeting moments. "Nighthawks", "Summer Evening", "Gas" and "Early Sunday Morning" are my personal favourites. Simple yet extraordinary mood-pieces.
—I prefer winter and fall, when you feel the bone structure of the landscape — the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn't show.?? — A. W.
"What I wanted to do was to paint sunlight on the side of a house."
One of my favourite painters, he's got a impeccable eye for shadows, light and darkness. Some of his painting are even named simply after a place and a specific time of day, "afternoon" "evening", "sunday morning", "7PM" etc. and he seems to effortlessly capture the magic in these fleeting moments. "Nighthawks", "Summer Evening", "Gas" and "Early Sunday Morning" are my personal favourites. Simple yet extraordinary mood-pieces.
American Village, 1912
Summer Evening, 1947
Gas, 1940
Nighthawks, 1942
Early Sunday Morning, 1930
New York Movie, 1939
New York, New Haven and Hartford, 1931
House by the Railroad, 1925
Rooms For Tourists, 1945
Night Windows, 1928
Drug Store, 1927
Railroad Sunset, 1929
Corn Hill, 1930
House At Dusk, 1935
High Noon, 1949
The Lee Shore, 1941
Adam's House