The Virgoness of Shakespeares' Lady MacBeth

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tollbooth
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After her husband told her in a letter about his opportunity to become king, Lady MacBeth tells herself that his temperament is "too full o' the milk of human kindness" for the necessary evil to kill the existing king and make this possible. In her eagerness, she calls for dark forces to "unsex" her and fill her with "direst cruelty". Her husband defers deciding on the matter, but when the king arrives, she ends his moral dilemma by manipulating him with clever arguments into committing the assassination. While he initially balks at the bloody tasks she insists that they are necessary to seize the throne; she wants him to leave everything to her and pull himself together, shocks him and questions his masculinity. Shortly after she makes her husband "do the deed", she admits, in an aside, that she could not have done it herself because the king has resembled her own father as he slept, implying that she too has at least some "milk of human kindness".


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tollbooth
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By the time she is seen again, Lady Macbeth's long-suppressed conscience has begun to plague her; she sleepwalks, haunted by visions of spots on her hands which she cannot wash off in the famous "Out damn'd spot" speech", the blood her husband has spilled largely at her instigation ? tormented into madness by the guilt.

She also seems to blame herself for the acts her husband commits alone ? such as having Macduff's wife and son killed along with anyone else who bore the name Macduff ? for her indirect responsibility, having pushed her husband to his state of tyranny. Just before the climactic battle between Husband Macbeth and Macduff, she apparently commits suicide, though the play does not explicitly reveal the cause of her death.
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tollbooth
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In the years since the play was written, she has become an archetypal character: she is the standard template for a wife goading her husband into bettering his position in life, if not her own. When speaking with Macbeth- especially when he is having doubts about whether or not he should do, or should have done, something- the scenes work as a neat contrast in their portrayal of her husband's fanciful images of ghosts and terrors and her prolific attitude to life, as well as her down-to-earth stance on everyday events and expressions ("the poor cat in the adage" she speaks of is a reference to an old fable about a cat that wanted fish but dared not wet her paws to get it, which compares- so she argues- to Macbeth's envy for the crown, but initial fear of killing the king in order to get it) as well as her questioning of his manliness. By the time Husband Macbeth has suppressed his own conscience and commits murders of his own initiative, her role as his "tempter" is lost and that is when Shakespeare kills her off in the play- though not before she starts envisioning the blood on her hands as her husband had done before her.